Geometric 1-9-1 version 2

When I first beaded my Geometric 1-9-1 back in early 2009 I used browns and golds as these were the colours of the crystals and small cylinder beads I had access to.

Ever since then I have wanted to bead another one in less sublter colours and finding some great crystals in New York recently as well as teaching it as a class was all the incentive I needed.

This one I beaded using a very light, transparent green cylinder bead combined with a steel-grey/ silver hex bead.

The crystal I chose is clear but has a gold/ green coating on the back which gives it a great light green/ gold AB shine.

As the green cylinder beads were so transparent I used a dark green thread throughout to ensure they would not "lose" any colour as I used them.

On the back of the piece I added extra rows using the contrast bead as I wanted to see it more and also as I wanted to see less of the crystal for an experiment in how that changed the look.

On the finished piece the silver beads look as though they are actually gold/ bronze as they reflect the green and gold of all the surrounding beads so much- no silver in sight!

Oops...

... it's been a while!
but in my defence none of my recent work has seemed to be very "colour based" so I didn't feel I had much to update you with

But here are some of what I have been working on with some words on the colours I used:


Interlocking Crystals
Usually I try to completely avoid galvanised beads but when I was beading my samples for this project I was just drawn to them.
Fortunately as I beaded it (a good 150-200 hours) none of the coating came off so I hope they stand the test of time for a while longer!

For this piece I knew I wanted an opulent look and olivine is one of my favourite crystal colours so I figured if I was going to spend a lot of time looking at it as I worked it might as well be a colour I loved.
I paired the green with silver rather than gold partly because I prefer it, and the necklace wire I had was silver-coloured, but mainly because I wanted a brighter look and felt silver would give me this.



Interlocking Crystals bangle
Having worked for so long on the necklace using just two colours I was desperate for a change!
So, for this bangle I chose to use a wide range of colours of crystal and resisted the temptation to pair them with silver
Instead I added in black and white (well, a very light grey really- I usually avoid white as I find it too harsh) to use as neutrals.




Work in progress
This crystal and geometric piece is still very much a work in progress.
I chose to pair the "crystal coloured" crystal with silver as it match the "cold" look of the crystal and when it came to the other colour I resisted what would have been my usual choice- green- to instead use a blue which works with the silver but also has a finish with brings in some other colours to add extra interest

Colour In Paris

A quick trip to Paris where just like my previous trips (here, here and here) I find lots of colour inspiration.
A walk through the city brings me upon a statue (I'm not sure if it had a purpose) in emerald green.
The green got lighter towards the bottom and it stood out as an unusual colour to use.




Later in the day we visited Montmarte and on the way found the most amazing lighting shop.
They only sold one type of light-shade- but it was enough!




They were simple balls which fitted over strings of lights and you could buy them already made in colour themes of mix and match to make your perfect combination.

It ws the most mesmerising sight to come across- and we weren't the only ones who found it so. The shop ws a magnet for people to stop and look at the colours.

Unfortunately we were travelling light but there's always another time...

The next day we came across these wonderful mosaic on the metro- very inspiring.

Black And White

I love the combination of black and white mixed with a strong colour and the addition of red is one I have used before.

Whilst away in New York I don't have access to all of my bead stash- only what I have bought since arriving here but a quick visit to a craft shops arms me with a crochet hook and some thread so bead crochet it is then!

I bought these striped beads (one of my favourites in the world) and the red ones meaning to bead some kind of spiral with them so that the red beads could stick out and spiral around- and bead crochet fits the bill.

These bracelets are quick to make- maybe 90 minutes start to finish? And are ideal to bead in front of the TV as once you've strung all the beads on it's simply a matter of crocheting.

The first one I beaded:


I then made a smaller scale piece to match:

Lastly one with green beads:

One Red Done

I have now finished one of my red projects for Bead magazine's colour special. I can't finish the next one until I get hold of a nice, strong magnetic clasp.

Then I just need to crack on with my fourth version- which will be red and green.

Red and green is a great example of a complementary colour scheme (using two colours opposite each other on a colour wheel) whilst the necklace I have finished is monochromatic (using just examples of one colour) and the unfinished one is analogous (using colours next to each other on the wheel, with this example using all the colours in the wheel.)

If you want some help coming up with a scheme then this is a great website.

Red and green should not be seen PT 2

Still working with red and this time have decided to match it with its complement- green.



This isn't usually a colour scheme I like at all- not even really at Christmas (which I really like!) so I wasn't too enthusiastic about using it.

But, as has freqently happened during this challenge, once I sat down and worked with it my feelings changed and I like it now.

In fact I can't think of a scheme I have used that I haven't grown to love.

Does familiarity breed love?

Yet more red

I'm still working on my series of herringbone ropes for the red months in my Colour Challenge and have almost completed the red+ mixed colours version. It just needs its hidden clasp added.

I've now started to bead my all reds version and as soon as this one is done I'll be beading one in red and its complementary colour- green.

I began this red version planning to just use reds but found that you could nto see any distinction between them as the rope grew so I went back to the drawing board and added in pinks and red-violets so you could actually see some of the work I was putting in!

Still In The Red

After a busy halloween I'm back to beading and still working away on my latest herringbone rope.

This one is 3/4 of the way done and then just needs the hidden clasp added.

As soon as this one is done I'll be making one all in reds and then I hope to bead one in red and green- as long as I get the time!

No Rest For The Wicked

I'm on a roll now- after months of not feeling very creative, this colour challenge has had the desired effect and I'm itching to create at any opportunity!

I'm currently working on a new herringbone rope necklace. I have made a couple of these before, see here and here.

This one will be like the second one and will have a hidden clasp.

To fit in with my colour challenge I'm going to make a couple of these based on red colour schemes.

My first one matches reds with greens, blues, violets, oranges, pinks, yellows and golds- in fact every colour on the colour wheel and every shade inbetween!

An analogous colour scheme is where you use colours next to each other on the colour wheel.
Previously when using red in an analogous scheme I have matched it with yellow and orange- but this time I'm matching it with every colour but using red as the dominant colour.

The reds I am using go from bright "red, red" to pink, to violet and to orangy-reds. Click on the photo for a larger view.


The contrast colours I'm using go from blue, to green, to violet, to gold, to orange, to yellow and just about everything in between- I just grabbed tubes and tubes of beads and went for it! Click on the photo for a larger view.

This will appear as a project in a future issue of Bead magazine.

Colourful Temari

I had a busy day today temari-ing- something I've been itching to do for a while. I love using threads and of course they're just another excuse to play with colour!

The first one I made was a Rose Garden design and, as I'm still working away using reds, I used an analogous scheme with red, orange and yellow.

The second was more complicated, and probably the most complicated one I have made, and uses an "interlinked pentagon" design.

Again to keep in with the challenge I used 12 different reds. Right from orangy-red, through pinky-reds and violet-reds, and teamed them with a green as the contrast colour.

As I made this one I used pins to help me see where I needed to work and planned to add another embellishement to the centre of each pentagon at the end.

But once I had finished I decided I liked the look of them so may leave them in, at least until I decide what else to do.

Red and green should not be seen?

Still on red and at the moment using using that classic complementary scheme- red and green.

I have so often heard "red and green should not been seen" but that makes no sense. Mind you I also often hear "blue and green should not be seen" so I guess it's used for anything "and green"

Red and green are opposite each other on the colour wheel which makes them ideal partners - and a classic combination which begins to be especially apparent at this time of year.

I'm still working away on my red beaded beaded but as a bit of variety I've decided to crochet myself a necklace inspired by a scarf fringing I saw recently.

I want lots of red cherries with green leaves hanging from a long, green crocheted chain- well, that's the plan.

I can't decide at the moment whether to mix up the reds I use or stick with one. So, I'm just working with one at the moment.


I think looking at them that just going with one will be best as then they'll be more cherry-like.


We'll see!

Reverse Chilli Bead

I have now beaded a new version of my Chilli Beaded Bead- but this time swapped around the orange and purple beads and used purple crystals instead of orange.

I was interested to see how different they looked and although it's a simple colour swap it really does make a different.

The bead with more orange looks a lot larger- this is because the lighter colour 'expands' it visually. That's why people tell you to wear black if you want to look slimmer!

A similar effect is apparent in my piece Geometric 3-4-4.
3-4-4a looks a lot larger than 3-4-4b as the use of colour in the 'valleys' makes them visually expand and when the two bracelets are put next to each other it is hard to believe they are exactly the same- just the use of black is swapped.

Another visual difference is that the green on the 'purple' bead looks a lot darker than it does on the 'orange' one. On the orange it is a lot 'springier'.


I am teaching these beaded beads in New York in November.

Chilli Bead

A new beaded bead today- I'm loving making these at the moment!
I need to move onto red soon but I'm away and didn't realy pack any red beads with me so am sticking with orange instead.

The colour scheme for this one was inspired by a plant I saw on my recent trip to Arundel Castle.


I loved the mix of green red/ orange and purple and couldn't resist translating that into a simple colour scheme.



The original photo/ plant had more green in it but as I'm working with orange I upped the use of that colour instead.

Work In Progress- Day 4

If you ever thought beadwork appears by magic prepare to have your illusions shattered!

So far I have chopped this piece up 4 times and I think I’m going to have to do it again.

I’m finally getting somewhere and love the colour but it’s what do I do next about the design.

You see I had got my maths all figured out so the number going around my central crystal is divisible by 6- except I now want to add 8 crystal around it.

I’m only 1 bead a row out.

That’s not much.

I’m going to chop it up anyway.

What would happen if I went along and cracked out 1 bead a row all the way across the width of my work?

Would I crack a wrong bead?

Would I snap a thread?

Would it ever work?

Would it always look wrong?

Am I just being lazy and should I bite the bullet and chop it all up again?

Eventually I reason: “Nothing ventured, nothing gained” and in I go.

Well, so far, so good.

I cracked out the beads- taking the first 2 rows down from 66 beads to 64 beads and wove and wove and wove through with a new thread before it all unravelled and fell apart (of course I snapped a few threads cracking the beads- I wasn’t going to get away with it that easily!)

It all seems to look ok and I’m now onto my 2^nd surrounding rivoli so fingers crossed it works out this time as otherwise I can see the crystal not surviving its rapid trip towards the nearest wall…

Work In Progress- Day 2

Still beading Onye version 4.

Ok, I then moved onto an emerald green which didn’t work.

Out came the scissors

Then a bluey-green.

Out came the scissors.

Why is it not obvious these don’t work until I have beaded at least 2 components which are all joined together?!?!

Now I have settled on a dark greeny-gold.

But it soon becomes apparent that though my maths are correct and I have the right number of beads etc, my geometry is a bit off- there is no way the number of surrounding rivolis I had planned will actually fit.

I had not taken into account the curvature of the large crystal being different.

Of course not- I’m just a simple beader!

As soon as I stand back and take a look at it I want to smack my own head as it is so obvious they wouldn’t fit (I’m too embarrassed to tell you how many I had planned!)

Why did I not take the simple step of laying the whole thing out flat and just seeing if it would work first?

Out come the scissors…

Work In Progress- Day 1

I’m off in Chichester again teaching a 6-day long geometric beadwork class and am really looking forward to spending all that time immersed in it and seeing what people produce (I will be running the same class again next year if you’re interested- who knows how it will have developed by then!).

Whilst I’m here I’m determined to get some of my own beading done and once again I’m working away on another Onye Pendant. This time though I’m using a much, much larger crystal for the centre.

My first problem is what colour to put with it. Of course most of my bead stash is sitting at home and try as I might I just can’t find the right green to use along the edge. This light one looked ok until I began adding extra rivolis around the outside edge and then it was obvious it was all wrong.

So out come the scissors…

Inspiring Orange

A visit to Arundel Castle and its gardens again today.

Last time I was looking for yellow but this time it was orange I was seeking out.



Also loved the texture of this bobbly plant


Great orange chillis


Loved this scheme- red, orange and yellow are to be expected but the added bonus of purple is fab!


A close up of the mixed scheme.


Purple and green- will file away for future use!

2nd day in Paris

Still in Paris and a busy day before the start of my course (read more on my blog here)

These are some of the extra colour photos I took today.

The graffiti outside an exhibition at The Cartier Foundation- you could take any section of this for colour inspiration!

Some close-ups of La Fée Electricité (The Electric Fairy) by Raoul Dufy.


Blue to purple to green to yellow.

Red, Yellow and green.


Green and blues.


And on the look-put for oranges I found:

'Les Cing Sens' by Georges Valmier


'Composition' by Auguste Herbin

A day in Paris

I am in Paris, the sun is shining, I have no-one else to think about and no time to be home by. Could this day get any better?
Well okay, I could have found beads but that's a minor complaint!

It seemed that all around me today was colour. From the food I ate, to the museum pieces I saw, even down to the building works I walked by.

My mind was especially focused on looking for oranges as that is the colour I'm now working with, but that didn't limit the photos I took.

My trip to Paris began with lunch and this great colour combo of melon gazpacho- some sort of sweet sorbet (the taste bud explosion wiped out my memory of what it was) and yellow bread (not nice to eat but set the colour combo off great!)


My next stop was a visit to the Museum of Decorative Arts.

This cabinet of a dark oak with a strip of cobalt blue took my breathe away and I wish I had a picture that captured it better. I will definitely come back to this combo when I work in blue!


I love glass in many forms and this arrangement of mixed colours and shapes looked fabulous.


This piece of glassware with its two different 'blues' was interesting.


These multi-coloured works which used pink, blue, green and purple were, inspiring.


On the look out for orange combinations which appealed, I found this chair with its use of orange, white, yellow and a navy blue. I like the idea of the blue as I think black would have been too 'garish' or 'warning sign' if that makes sense- the blue definitely works to bring the sharpness down. Blue is orange's complementary colour.


More orange- here is orange, white and black- although I like this combination in the plastic I do think using navy- such as in the photo above- would have been nice and altered how the orange looked.


Here orange is mixed with a khaki green- I like this and would never have thought of it.


Once I'd finished in the musuem I was off to wander and take more photos.

I came across these wonderful blue doors and couldn't resist a photo- I think the redish-gold door furniture subtly makes this colour work so well.


Green and grey- who knew?


In a shop, looking for beads, I came across this range of jewellery focused on orange and pink- I think this is my favourite way to use orange!