Beading In The Dark

Having finished one new version of my Geometric 1-9-1 pendant I was itching to rush on with another one and grabbed another crystal as well as some cylinder beads which all looked as though they worked together and got to beading.

Come the morning and better light it was obvious the combination didn't work too well- but what to do?

The crystal I had chose was black on one side with a blue/ green coating on the back - or so I thought.
The main cylinder beads I chose were almost black with a subtle green sheen- again this was what it looked like to me late at night in the dark.
The other cylinder beads were a gold which I felt would zing out between the dark colours- can you guess where this is going?

Fortunately I stopped beading before I secured the crystal in which meant I got to have a good look at it in the daylight and my errors soon became apparent:
The crystal was indeed black but the back was definitely blue/ silver- no green in sight.
The main cylinder beads were definitely a forest green.
The gold cylinders were definitely a red/ brown.
The combination just did not go!


Well, the black on the front looked ok but the back of the work was all wrong and in a double-sided pendant I wanted to get it right. The beadwork was warm and green with gold and the crystal was cool with blue and silver.

What to do?

Fortunately I had a few other crystals (good job I was so indecisive when buying them and bought all I liked!)

You can see the fronts of the crystals here:

The backs of the crystals here:


As the beadwork wasn't finished I was able to put in the crystals to see what each one would look like:

The green I felt was far too "limey" with a big hint of silver for the forest green in the beadwork.



I liked the amber/ brown but if I had been going to choose this colour from the start I would have swapped the green and brown in the beadwork as I like the outline of the star pattern to really stand out and I was worried it would be lost against the crystal. In real life the crystal look smuch darker and more closely resembles the brown cylinder beads.



The clear had too much of a lilac look to it which just didn't go at all.


So I was still wondering what to do.

In the end I settled for the green and hoped it would work.

But a few rows on I just wasn't happy. The greens didn't work together and I hated it.
Deep down I knew the only combination which would work was the amber crystal and I threw away all my prejudices about wishing I had swapped over the colours in the scheme and out the crystal in and carried on beading.

A few rows on...

I loved it!

The colour scheme works perfectly and I am pleased to say that the star outline still stands out as although the colours of the cylinder beads and the crystal are close the fact that one is so transparent whilst the other is opaque means they look different.

Geometric 1-9-1 version 2

When I first beaded my Geometric 1-9-1 back in early 2009 I used browns and golds as these were the colours of the crystals and small cylinder beads I had access to.

Ever since then I have wanted to bead another one in less sublter colours and finding some great crystals in New York recently as well as teaching it as a class was all the incentive I needed.

This one I beaded using a very light, transparent green cylinder bead combined with a steel-grey/ silver hex bead.

The crystal I chose is clear but has a gold/ green coating on the back which gives it a great light green/ gold AB shine.

As the green cylinder beads were so transparent I used a dark green thread throughout to ensure they would not "lose" any colour as I used them.

On the back of the piece I added extra rows using the contrast bead as I wanted to see it more and also as I wanted to see less of the crystal for an experiment in how that changed the look.

On the finished piece the silver beads look as though they are actually gold/ bronze as they reflect the green and gold of all the surrounding beads so much- no silver in sight!

Crystal Wheels

These beaded beads are definitely my new addiction!
I have been beading different coloured variations of them for a few months now but was limited by the colours I could get hold of.
But I recently found a new supplier of the crystals so have a whole new palette to play with!

My first choices of colours were this coral red, the lovely blue, silver, gold and copper

I mixed and matched them to come up with three different variatons using appropriately coloured seed beads:


I combined the coral red with gold and a dark gold seed bead for a rich, warm look


I paired the blue with the silver and dark grey seed beads to bring out the cold shine in all the colours


I also paired the blue with the copper and dark gold seed beads to change how the blue looks. In this variation I think the blue reflects the copper and gold and becomes much warmer. Wht do you think? Compare it with the blue in the picture above and let me know.

These will be launched as a kit very soon so sign up for my newsletter to find out when- and keep an eye out for any other colour variations I come up with!

Oops...

... it's been a while!
but in my defence none of my recent work has seemed to be very "colour based" so I didn't feel I had much to update you with

But here are some of what I have been working on with some words on the colours I used:


Interlocking Crystals
Usually I try to completely avoid galvanised beads but when I was beading my samples for this project I was just drawn to them.
Fortunately as I beaded it (a good 150-200 hours) none of the coating came off so I hope they stand the test of time for a while longer!

For this piece I knew I wanted an opulent look and olivine is one of my favourite crystal colours so I figured if I was going to spend a lot of time looking at it as I worked it might as well be a colour I loved.
I paired the green with silver rather than gold partly because I prefer it, and the necklace wire I had was silver-coloured, but mainly because I wanted a brighter look and felt silver would give me this.



Interlocking Crystals bangle
Having worked for so long on the necklace using just two colours I was desperate for a change!
So, for this bangle I chose to use a wide range of colours of crystal and resisted the temptation to pair them with silver
Instead I added in black and white (well, a very light grey really- I usually avoid white as I find it too harsh) to use as neutrals.




Work in progress
This crystal and geometric piece is still very much a work in progress.
I chose to pair the "crystal coloured" crystal with silver as it match the "cold" look of the crystal and when it came to the other colour I resisted what would have been my usual choice- green- to instead use a blue which works with the silver but also has a finish with brings in some other colours to add extra interest

Metallics And Mint

I seem to only be working with metallics at the moment- specifically silver.

I normally try and involve this in beads as I am so wary of the galvanised finish. All that work for the colour to just rub off- I hate it!

But some guidelines I decided to try and work to specified the following colours: "Gold, silver, pale blues, sweet mauve, gunmetal, hint of mint green"
So I headed to my silver beads and have found it hard to leave them every since!
First up is my Miriam Bangle which I first beaded using silver, gunmetal and these lovely violet Swarovski rivolis.




Color by COLOURlovers

I have previously written (nearly 4 years ago- yikes!) about making sure you mix matte with shiny and that still applies and the gunmetal beads perfrom that task in this piece.

Next up was another version of the bangle and this time I took inspired from the mint green mentioned in the brief.
I matched the green up with a dark forest green and a crystal that is mainly clear.

Color by COLOURlovers

After beginning with the silver on my bangle I continued it for these crystal interlocking pieces. I have combined them with olivine green crystals which I absolutely love.



Color by COLOURlovers

Playing with polymer clay - day 1

I've headed off to Nottingham for 3 days of Polymer Clay fun.

The 3 days will consist of 6 classes with 6 different tutors and I'm looking forward to all of them. Although I went to a Polymer Clay even in 2005 and helped set up the London Polymer Clay Group I've never really done much of it- only made 2 canes I think- and basic ones at that- so I was apprehensive about being able to do the classes.

But by the time the first class had started and I'd met the ladies I'd be spending the 3 days with my fears soon disappeared.

My first class was with Alison Gallant and was based on using mica shift and Skinner Blends to make some basic beads. This was good fun and warmed me up and got me ready for the rest of the classes.

All the clay for our classes was Kato Clay (kindly provided by Donna Kato) which I have never used before and I think I will definitely invest in more as I really enjoyed using it- once we'd got in conditioned it was nice and strong and the colours mixed nicely.

We had no choice in our colours and were given green and blue- after saying recently I never use plain blue I really enjoyed using it. I found the colours we used weren't that distinctive in the small beads but on the larger surfaces of the pendants were could also make you could see them better.

Mica shift is a wonderful thing- just look at the stripes in this clay!

The afternoon was spent with Natalia Garcia de Leaniz (from Spain) who was a great teacher with a wonderful project- making very organic beads and adding in colours, paints and beads.

The main colours were were given for these was black and brown. The black looked great but the brown was very "dull" so the next day I painted most of my brown beads using a mix of greens, black and coppers.

I also put blues and greens under my black clay so that when sanded this will appear on the "spines" of the "seed pods". Hopefully you can see all of this in this very blurry close-up!

I found that uniting the different colours i.e. the black and brown through the use of beads, other clay and paint really made what were quite different beads become more of a set.

I really enjoyed this class and hope to be able to find time to experiment with everything I did today!

After receiving so many requests to teach classes on colours I am now planning to do so next year. The class will be a year-long class/ support group for anyone wanting to experiment with their work and their use of colour. We will meet once a month to learn about all about a colour, its historical and social significance as well as how to use it in your work.
We'll then experiment in class with beads that colour before you go home and see how you get on with it before coming back to the group a month later for feedback and help. We will work on the 3 primary colours, and the 3 secondary ones, giving everyone 2 months to play with a colour, and different schemes using it, before we move onto the next one and see how that works.
In addition to the monthly meetings, there will also be an online-group exclusively for those taking part where we can discuss what you've been up to and get help and feedback on your work as well as advice on tracking down and using colours.
The class will be open to anyone whatever type of beading you like doing and whatever level you are at- as long as you're open to learning and experimenting you're welcome!
I am still working on dates for the class but it should take place in the hall I use for my other classes in Kentish Town, North London, on either a Monday afternoon (possibly 2-5pm) or evening (possibly 6-9pm). If you're interested in the class, and would like to put your name down to be first to hear more about it, please contact me, letting me know if afternoons or evenings would be best for you.

PS- if anyone knows where in the UK I can get hold of 140 large yellow dagger beads please let me know- not topaz or amber- but bright yellow!