Beading In The Dark

Having finished one new version of my Geometric 1-9-1 pendant I was itching to rush on with another one and grabbed another crystal as well as some cylinder beads which all looked as though they worked together and got to beading.

Come the morning and better light it was obvious the combination didn't work too well- but what to do?

The crystal I had chose was black on one side with a blue/ green coating on the back - or so I thought.
The main cylinder beads I chose were almost black with a subtle green sheen- again this was what it looked like to me late at night in the dark.
The other cylinder beads were a gold which I felt would zing out between the dark colours- can you guess where this is going?

Fortunately I stopped beading before I secured the crystal in which meant I got to have a good look at it in the daylight and my errors soon became apparent:
The crystal was indeed black but the back was definitely blue/ silver- no green in sight.
The main cylinder beads were definitely a forest green.
The gold cylinders were definitely a red/ brown.
The combination just did not go!


Well, the black on the front looked ok but the back of the work was all wrong and in a double-sided pendant I wanted to get it right. The beadwork was warm and green with gold and the crystal was cool with blue and silver.

What to do?

Fortunately I had a few other crystals (good job I was so indecisive when buying them and bought all I liked!)

You can see the fronts of the crystals here:

The backs of the crystals here:


As the beadwork wasn't finished I was able to put in the crystals to see what each one would look like:

The green I felt was far too "limey" with a big hint of silver for the forest green in the beadwork.



I liked the amber/ brown but if I had been going to choose this colour from the start I would have swapped the green and brown in the beadwork as I like the outline of the star pattern to really stand out and I was worried it would be lost against the crystal. In real life the crystal look smuch darker and more closely resembles the brown cylinder beads.



The clear had too much of a lilac look to it which just didn't go at all.


So I was still wondering what to do.

In the end I settled for the green and hoped it would work.

But a few rows on I just wasn't happy. The greens didn't work together and I hated it.
Deep down I knew the only combination which would work was the amber crystal and I threw away all my prejudices about wishing I had swapped over the colours in the scheme and out the crystal in and carried on beading.

A few rows on...

I loved it!

The colour scheme works perfectly and I am pleased to say that the star outline still stands out as although the colours of the cylinder beads and the crystal are close the fact that one is so transparent whilst the other is opaque means they look different.

Dagger schemes

I'm still working on my "Faux Crochet" technique and have made these two reversible bangles which use quite similar schemes- lots of browns, pinks and golds.

The first one uses gold dagger beads which also have hints if pinks and purples on them. I teamed these with brown hex beads in shiny and matte.


My second one uses pink daggers beads which have swirls of other colours running through them. I teamed these with seed beads in pinks and browns.



Keeping to the same colour scheme I have also beaded this bangle using pearls in lost of shades of chocolate brown, pinks and greens.

Egg Shell Shades

Today I'm playing around with polymer clay and using one of the colour resources I now am lucky enough to own- these great ready-made colour samples (I previously recommended them on one of my resources posts).

I was experimenting with an idea I had a few years ago and had yet to actually sit down and play with: using egg shells to add a mosaic look to the clay.

I knew I wanted a beige colour as the background but had no idea how to mix it- so my new toy turned out to be a great help.
I flicked through all the sections and chose a colour that I liked and learnt that I needed 2 parts white to 1 part each of yellow and brown.


I cut these amounts, chopped them up and began mixing...


and conditioning.


Soon I had the perfect colour to be the background for my shell pieces without having to sit there and spend ages adding colours and getting it wrong.


This will appear as a project in issue 24 of Bead magazine- out 21st July 2010.

Bit Of A Catch-Up

Ooops where did the time go?!?!?

Life and time rushed by and I hadn't realised it had been such a long time since I last posted here. Unfortunately that also means I hadn't got much beading done.

Well, I did make one lovely set of bangles but as they weren't in red (which I'm meant to be using) I didn't mention them.



But I'm back and finishing off using red- and my last project is my 3rd in my red series of what I'm currently calling my "Stunning, secret samplers"

This last one is red and green which is not my favouite colour combination but by mixing up the reds and greens I used, rather than just sticking to the "Christmas versions" I really like the finished result. Unfortunately I left my fully red version in the office ao you can't see it here but as soon as I get a chance I'll photograph them all together

Getting ready for blue

Ok, I know blue is a few months off but today was The Big Bead Show (you can read more about it here on my blog) and I managed to buy yet another blue cabochon from Designer Cabochons.


It was only as I took the photo that I realised the only things I bought today featured the blue and brown colour combination I love so much- the do perfectly together- wonder if I can work out a way to use them in the same project?

St Petersburg Pots

For the next issue of Bead I'm making little pots using St Petersburg chain- an old project I came up with a few years ago but never did anything with.
So of course I'm working them in orange, brown and yellow- trying to keep to the challenge!

Onye 3

I'm on an Onye Roll!

As soon as I came up with original pendant I knew I wanted to bead a version with eyes in.

It took me a while but I eventually manged to track down ones in the right size and colour, now how to complement blue eyes?

Well, orange and blue are complemenary colours so they work perfectly. But after already beading 2 of these in strong oranges I wanted to tone it down so based the sheme on browns and oranges.

This pendant will appear as a project in issue 19 of Bead magazine.

A day in Paris

I am in Paris, the sun is shining, I have no-one else to think about and no time to be home by. Could this day get any better?
Well okay, I could have found beads but that's a minor complaint!

It seemed that all around me today was colour. From the food I ate, to the museum pieces I saw, even down to the building works I walked by.

My mind was especially focused on looking for oranges as that is the colour I'm now working with, but that didn't limit the photos I took.

My trip to Paris began with lunch and this great colour combo of melon gazpacho- some sort of sweet sorbet (the taste bud explosion wiped out my memory of what it was) and yellow bread (not nice to eat but set the colour combo off great!)


My next stop was a visit to the Museum of Decorative Arts.

This cabinet of a dark oak with a strip of cobalt blue took my breathe away and I wish I had a picture that captured it better. I will definitely come back to this combo when I work in blue!


I love glass in many forms and this arrangement of mixed colours and shapes looked fabulous.


This piece of glassware with its two different 'blues' was interesting.


These multi-coloured works which used pink, blue, green and purple were, inspiring.


On the look out for orange combinations which appealed, I found this chair with its use of orange, white, yellow and a navy blue. I like the idea of the blue as I think black would have been too 'garish' or 'warning sign' if that makes sense- the blue definitely works to bring the sharpness down. Blue is orange's complementary colour.


More orange- here is orange, white and black- although I like this combination in the plastic I do think using navy- such as in the photo above- would have been nice and altered how the orange looked.


Here orange is mixed with a khaki green- I like this and would never have thought of it.


Once I'd finished in the musuem I was off to wander and take more photos.

I came across these wonderful blue doors and couldn't resist a photo- I think the redish-gold door furniture subtly makes this colour work so well.


Green and grey- who knew?


In a shop, looking for beads, I came across this range of jewellery focused on orange and pink- I think this is my favourite way to use orange!

Playing with polymer clay - day 2- part 2

The afternoon of my second day at EuroClay carnival was spent with Sylvie Peraud doing her project based in in-filling colour into baked polymer clay.

Once again the clay was provided and by the time I chose it was pretty much yellow left- fate huh?

But as I knew we were potentially combining it with black I once again couldn't bring myself to use the "warning colour sheme" so made a Skinner blend with some white and brown added- which of course completely altered the yellow.

After I had baked my pieces I began to carve into them to add patterns.


I decided to in-fill my two pieces using colour theory- so one one piece I added brown to create more of an analogous colour scheme.


On the second piece I added a violet for a complementary scheme- I used a "soft" violet so it wasn't so bold.

Playing with polymer clay - day 1

I've headed off to Nottingham for 3 days of Polymer Clay fun.

The 3 days will consist of 6 classes with 6 different tutors and I'm looking forward to all of them. Although I went to a Polymer Clay even in 2005 and helped set up the London Polymer Clay Group I've never really done much of it- only made 2 canes I think- and basic ones at that- so I was apprehensive about being able to do the classes.

But by the time the first class had started and I'd met the ladies I'd be spending the 3 days with my fears soon disappeared.

My first class was with Alison Gallant and was based on using mica shift and Skinner Blends to make some basic beads. This was good fun and warmed me up and got me ready for the rest of the classes.

All the clay for our classes was Kato Clay (kindly provided by Donna Kato) which I have never used before and I think I will definitely invest in more as I really enjoyed using it- once we'd got in conditioned it was nice and strong and the colours mixed nicely.

We had no choice in our colours and were given green and blue- after saying recently I never use plain blue I really enjoyed using it. I found the colours we used weren't that distinctive in the small beads but on the larger surfaces of the pendants were could also make you could see them better.

Mica shift is a wonderful thing- just look at the stripes in this clay!

The afternoon was spent with Natalia Garcia de Leaniz (from Spain) who was a great teacher with a wonderful project- making very organic beads and adding in colours, paints and beads.

The main colours were were given for these was black and brown. The black looked great but the brown was very "dull" so the next day I painted most of my brown beads using a mix of greens, black and coppers.

I also put blues and greens under my black clay so that when sanded this will appear on the "spines" of the "seed pods". Hopefully you can see all of this in this very blurry close-up!

I found that uniting the different colours i.e. the black and brown through the use of beads, other clay and paint really made what were quite different beads become more of a set.

I really enjoyed this class and hope to be able to find time to experiment with everything I did today!

After receiving so many requests to teach classes on colours I am now planning to do so next year. The class will be a year-long class/ support group for anyone wanting to experiment with their work and their use of colour. We will meet once a month to learn about all about a colour, its historical and social significance as well as how to use it in your work.
We'll then experiment in class with beads that colour before you go home and see how you get on with it before coming back to the group a month later for feedback and help. We will work on the 3 primary colours, and the 3 secondary ones, giving everyone 2 months to play with a colour, and different schemes using it, before we move onto the next one and see how that works.
In addition to the monthly meetings, there will also be an online-group exclusively for those taking part where we can discuss what you've been up to and get help and feedback on your work as well as advice on tracking down and using colours.
The class will be open to anyone whatever type of beading you like doing and whatever level you are at- as long as you're open to learning and experimenting you're welcome!
I am still working on dates for the class but it should take place in the hall I use for my other classes in Kentish Town, North London, on either a Monday afternoon (possibly 2-5pm) or evening (possibly 6-9pm). If you're interested in the class, and would like to put your name down to be first to hear more about it, please contact me, letting me know if afternoons or evenings would be best for you.

PS- if anyone knows where in the UK I can get hold of 140 large yellow dagger beads please let me know- not topaz or amber- but bright yellow!